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Creative Writing: An Introduction to Poetry and Fiction, by David Starkey
Download Ebook Creative Writing: An Introduction to Poetry and Fiction, by David Starkey
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Creative Writing: An Introduction to Poetry and Fiction is a brief guide that offers plenty of options for the two-genre creative writing course. Adapted from David Starkey’s successful Creative Writing: Four Genres in Brief, it starts with lively and highly-praised instruction on the basics of reading and writing poetry and fiction. Then it presents a wide and versatile selection of model contemporary poems and stories for students to admire and emulate. Throughout, it offers a range of checklists to help students shape their poems and stories, as well as inventive assignments to fire students’ imaginations and get them creating on their own.
- Sales Rank: #344589 in Books
- Published on: 2013-09-19
- Original language: English
- Number of items: 1
- Dimensions: 9.09" h x .36" w x 6.43" l, .0 pounds
- Binding: Paperback
- 246 pages
About the Author
David Starkey is Professor of English and Director of the Creative Writing Program at Santa Barbara City College. He is the editor of two collections of creative writing pedagogy, Teaching Writing Creatively (1998) and Genre by Example: Writing What We Teach (2001), and he has been active in all four genres. His poetry collections include Adventures of the Minor Poet (2007); Ways of Being Dead: New and Selected Poems (2006); and Fear of Everything (2000). Several poems from his most recent collection, A Few Things You Should Know about the Weasel (2010) were featured on Garrison Keillor’s The Writer’s Almanac. His fiction has appeared in American Literary Review, Rio Grande Review, Sou’wester, and in the anthology Blue Cathedral: Contemporary Fiction for the New Millennium. His creative nonfiction has been published in Cimarron Review, Gulf Stream Magazine, Tampa Review, and in the book Living Blue in the Red States (2007), which he edited. His plays have been produced in New York, Chicago, Los Angeles, Seattle, Minneapolis, Toronto, and elsewhere.
Most helpful customer reviews
5 of 7 people found the following review helpful.
GOUGING
By Victor Cresskill
I really hope St. Martin's is reading this. I teach creative writing, a minimum of about 80 students per school year, so I received a copy for evaluation purposes. My course is an introduction to poetry & fiction and currently I need two books to do that. I saw this book, saw how thin it was, and thought, hmmmm, maybe I can drop the book on poetry (50 pages longer than this one) and the book on fiction (about the same length as this one) and just go with this one. I had no idea that this slim volume would COST MORE THAN THE OTHER TWO COMBINED. The basics are here, but it is truly repulsive that St. Martin's is looking to gouge students to the tune of $56.48 (really? after 56 dollars they need to add that 48 cents?) for a PAPERBACK that is a mere 246 pages long (it is incorrectly listed on Amazon as 304 pages long; padding out a resume, perhaps?). This is just one more reason students come out of universities with crushing debt--even St. Martin's wants to get in on it. So, no, I won't be ordering this for my classes--unless St. Martin's wants to drop the price by $36.49 ($19.99 seems a fair price to me). And by the way, the other two books I use contain three or four times the information, the examples, the techniques contained here. Why would I pay MORE for far less?
1 of 1 people found the following review helpful.
Not for writers with experience.
By "Sam I Am"
Very Creative Writing 101. I will probably refer to it when I'm teaching but I didn't learn anything new from it & not a book for grad school, which is why I bought it.
1 of 2 people found the following review helpful.
Well-written, sweet and incisive
By Diana Raab, Ph.D.
There are not many well-written, sweet, and incisive textbooks that can be packed in a carry-on bag for your next writers’ conference or workshop, but David Starkey’s book is a must for the emerging writer and workshop leader offering all the essentials needed for short forms like poetry and short story. Before diving into the book, he offers these wise words: “Read, write, listen, don’t give up and have fun.” The book is packed with words of wisdoms, food for thought interspersed with solid advice, such as, “Reading is a trigger for writing,” and “Write from clarity and revise to strangeness.”
This volume is plentiful with stellar poems and short stories to spark ideas from luminary poets and such as Kim Addonizio, Elizabeth Alexander, Joy Harjo, Yusef Komunyakaa, Naomi Shihab Nye, Mary Oliver, and Molly Peacock, and short story writers such as Margaret Atwood, T.C. Boyle, Ron Carlson, John Cheever, Lorrie Moore and Tobias Wolff. The book also includes checklist reminders, kick-starts for inspiration, suggested writing prompts, and an excellent glossary for a quick glance to answers. What else can students and instructors of creative writing ask for?
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